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2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3 (66문항) (워드파일/편집가능)
일반 워크북 형태의 문제에서 벗어나 The Makings가 만든 2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3
출판사에서 오랫동안 영어 번역과 교정을 하셨던 원어민 선생님과
현직에서 강사를 하고 있는 연구진들이 학생들을 위한 최상의 2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3을 선보입니다.
사고력과 이해력을 요구하는 문제들로 내신 대비 뿐만이 아니라 수능도 한꺼번에 공부하실 수 있는 자료입니다.
중간고사&기말고사 전에 더메이킹스(The Makings)에서 제작한 2026년 고3 6월 전국 연합 모의고사 변형 문제로 마무리 하세요.
The Makings의 2026년 고3 6월 전국 연합 모의고사 변형 문제는 총 11개의 유형으로 구성되어 있습니다.
1. 빈칸 채우기(객관식)
2. 글의 내용 일치/불일치(객관식/한글 선택지)
3. 글의 내용 일치/불일치(객관식/영어 선택지)
4. 글 끼어 넣기(객관식)
5. 어법(서술형)
6. 어휘(서술형)
7. 주제문(객관식/영어 선택지)
8. 어휘 빈칸 채우기(서술형)
9. 영작(서술형)
10. 요약문 완성하기(서술형)
11. 문단 재배열 하기(객관식)
정답은 포함되어 있습니다.
해설지를 원하시면 해설지도 같은 카테고리에서 구입하실 수 있습니다.
이 파일은 워드파일이며 편집이 가능한 형태의 상품입니다.
전체 지문 중에 실제 내신 시험에 출제 할 수 있는 지문을 위주로 출제 되어있습니다.
구매 전 지문을 꼭 확인 하시고 구입하시기 바랍니다.
더메이킹스(The Makings)가 제작한 2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3의 지문입니다.
1번 지문(문항 번호 29번)
Fashion is always deeply cultural, and an excellent example of this can be seen in the evolution of European clothing. At the beginning of the Middle Ages, clothing tended to be simple and was frequently made of rough wool or animal furs. With advances in cloth making, however, fashion began moving toward styles that were more elaborate and form-fitting. In the Renaissance and Elizabethan eras, styles became even more refined. The clothes that wealthy people were wearing became increasingly fancier, with a particular emphasis being placed on smaller waists. The connection between clothing and social status was so pronounced that laws were enacted to limit the wearing of certain luxury items. Allowed only for higher social classes, luxurious styles and decorations such as feathers, silk, or velvet were used as a means of demonstrating one's standing in society. This was further reinforced as upperclass styles came to be explicitly incorporated into cultural ceremonies so that their wearers' roles could be identified clearly.
2번 지문(문항 번호 30번)
Classical works by playwrights such as Shakespeare or Euripides or even American musical song lyrics contain unconventional and unrealistic methods of communicating characters' thoughts and feelings, and take a bit more skill and patience to understand. The reader must be mindful not to let the poetic form or archaic word usage get in the way of getting meaningful information about the story, but instead see the form itself as a revealing stylistic technique. Scripts with complex language or unfamiliar styles may require several additional readings in order for the nuance to become clear. Musical theater pieces are particularly difficult to visualize when reading because of the diminished emphasis on dialogue and a significant emphasis on song and dance. For example, when the music and lyrics are removed from a musical theater script, what is left is the dialogue, known as the book or libretto, and it can be very thin. There is an emphasis on dance, movement, or action in musical theater that can be time-consuming when actually performed on stage, but can take very little space when typed into a play script.
3번 지문(문항 번호 31번)
Ever since the early Enlightenment, preservation and conservation have been closely related. Taken as near synonyms, their meaning is to maintain an object or system insofar as possible in its present state, to protect it from change, usually for contemplation, research, display, and perhaps for use. Conservationists who distinguish their activities from preservation emphasize conservation's restorative aspects ― restoring a historical musical instrument, for example, or a painting, or a dinosaur, or an ecosystem. Conservationists acknowledge change but try to manage it in order to prolong a desired state. Preservationists (who may nonetheless call themselves conservationists) think of themselves more as protectors. They sometimes criticize conservationists for setting an additional priority on yield or harvest or use, rather than interfering as minimally as possible in order to preserve the original object or system, as they would do. Preservationists would, for example, prefer to keep a historical musical instrument "as found" in a deteriorated state, for study, rather than to restore or repair it for display or use.
4번 지문(문항 번호 32번)
Speakers don't always put everything that's important to them into words. Very often you can understand a speaker's meaning by observing their nonverbal behaviors such as a change in a vocal tone or volume, eye contact, facial expressions and gestures. As it is easy to misinterpret nonverbal behavior, effective listeners verbally confirm their interpretations of someone's nonverbal communication. A question as simple as "Do your nods indicate a yes vote?" can make sure that everyone is on the same wavelength. If, as nonverbal research indicates, more than half of a speaker's meaning is conveyed nonverbally, we are missing a lot of important information if we fail to "listen" to nonverbal behavior. Even Freud suggested that "he that has eyes to see and ears to hear may convince himself that no mortal can keep a secret. If his lips are silent, he chatters with his fingertips; betrayal oozes out of him at every pore." No wonder it is difficult for most people to conceal what they mean and feel in a face-to-face group discussion.
5번 지문(문항 번호 33번)
Imagination continues to function when perception is not actively discerning objects, in cases of emotion, disease, and sleep. Emotions dispose one to see the world in a distorted way. A coward's perceptual disposition is affected by his disposition to experience fear. A lover's expectations are affected by desire. In such cases, a small similarity between a perceived object and the thing one expects to see can lead to the misidentification of the perceived object as that thing. The coward sees the enemy, while the lover sees the object of desire everywhere. The more affected one is, the less similarity is required for the thing to appear. While the central organ of sense normally functions by comparing similarities and differences, emotions dispose one to discern objects inaccurately. The greater the emotional investment, the more biased one's perception.
6번 지문(문항 번호 34번)
The dependent and shifting nature of art values, not only on the market but inherently, is uppermost in the mind of today's art collector, whether he buys for himself or as the representative of an institution. Acquiring a work is acquiring a piece of art history, or it is acquiring nothing (beyond, that is, an object of personal enjoyment in the same class as a cat or a souvenir). In signing his check the collector asserts his belief in the future presence of the work as a significant point attained by art as a whole. History, however, is open to anything and the merit of the chosen painting or sculpture has ― at best ― only the validation of a present-day consensus. This consensus is all but certain to be displaced, as others have been in the past. In the last analysis, committing himself to a painting is the collector's own act. Through it he courageously affirms not only his aesthetic judgment, from whatever source it be derived, but the conviction that he can predict where art is going.
전자 제품의 관계로 단순 변심에 의한 반품/교환이 불가 합니다.
2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3 (66문항) (워드파일/편집가능)
일반 워크북 형태의 문제에서 벗어나 The Makings가 만든 2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3
출판사에서 오랫동안 영어 번역과 교정을 하셨던 원어민 선생님과
현직에서 강사를 하고 있는 연구진들이 학생들을 위한 최상의 2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3을 선보입니다.
사고력과 이해력을 요구하는 문제들로 내신 대비 뿐만이 아니라 수능도 한꺼번에 공부하실 수 있는 자료입니다.
중간고사&기말고사 전에 더메이킹스(The Makings)에서 제작한 2026년 고3 6월 전국 연합 모의고사 변형 문제로 마무리 하세요.
The Makings의 2026년 고3 6월 전국 연합 모의고사 변형 문제는 총 11개의 유형으로 구성되어 있습니다.
1. 빈칸 채우기(객관식)
2. 글의 내용 일치/불일치(객관식/한글 선택지)
3. 글의 내용 일치/불일치(객관식/영어 선택지)
4. 글 끼어 넣기(객관식)
5. 어법(서술형)
6. 어휘(서술형)
7. 주제문(객관식/영어 선택지)
8. 어휘 빈칸 채우기(서술형)
9. 영작(서술형)
10. 요약문 완성하기(서술형)
11. 문단 재배열 하기(객관식)
정답은 포함되어 있습니다.
해설지를 원하시면 해설지도 같은 카테고리에서 구입하실 수 있습니다.
이 파일은 워드파일이며 편집이 가능한 형태의 상품입니다.
전체 지문 중에 실제 내신 시험에 출제 할 수 있는 지문을 위주로 출제 되어있습니다.
구매 전 지문을 꼭 확인 하시고 구입하시기 바랍니다.
더메이킹스(The Makings)가 제작한 2026년 고3 6월 전국 연합 모의고사 변형 문제 Part 3의 지문입니다.
1번 지문(문항 번호 29번)
Fashion is always deeply cultural, and an excellent example of this can be seen in the evolution of European clothing. At the beginning of the Middle Ages, clothing tended to be simple and was frequently made of rough wool or animal furs. With advances in cloth making, however, fashion began moving toward styles that were more elaborate and form-fitting. In the Renaissance and Elizabethan eras, styles became even more refined. The clothes that wealthy people were wearing became increasingly fancier, with a particular emphasis being placed on smaller waists. The connection between clothing and social status was so pronounced that laws were enacted to limit the wearing of certain luxury items. Allowed only for higher social classes, luxurious styles and decorations such as feathers, silk, or velvet were used as a means of demonstrating one's standing in society. This was further reinforced as upperclass styles came to be explicitly incorporated into cultural ceremonies so that their wearers' roles could be identified clearly.
2번 지문(문항 번호 30번)
Classical works by playwrights such as Shakespeare or Euripides or even American musical song lyrics contain unconventional and unrealistic methods of communicating characters' thoughts and feelings, and take a bit more skill and patience to understand. The reader must be mindful not to let the poetic form or archaic word usage get in the way of getting meaningful information about the story, but instead see the form itself as a revealing stylistic technique. Scripts with complex language or unfamiliar styles may require several additional readings in order for the nuance to become clear. Musical theater pieces are particularly difficult to visualize when reading because of the diminished emphasis on dialogue and a significant emphasis on song and dance. For example, when the music and lyrics are removed from a musical theater script, what is left is the dialogue, known as the book or libretto, and it can be very thin. There is an emphasis on dance, movement, or action in musical theater that can be time-consuming when actually performed on stage, but can take very little space when typed into a play script.
3번 지문(문항 번호 31번)
Ever since the early Enlightenment, preservation and conservation have been closely related. Taken as near synonyms, their meaning is to maintain an object or system insofar as possible in its present state, to protect it from change, usually for contemplation, research, display, and perhaps for use. Conservationists who distinguish their activities from preservation emphasize conservation's restorative aspects ― restoring a historical musical instrument, for example, or a painting, or a dinosaur, or an ecosystem. Conservationists acknowledge change but try to manage it in order to prolong a desired state. Preservationists (who may nonetheless call themselves conservationists) think of themselves more as protectors. They sometimes criticize conservationists for setting an additional priority on yield or harvest or use, rather than interfering as minimally as possible in order to preserve the original object or system, as they would do. Preservationists would, for example, prefer to keep a historical musical instrument "as found" in a deteriorated state, for study, rather than to restore or repair it for display or use.
4번 지문(문항 번호 32번)
Speakers don't always put everything that's important to them into words. Very often you can understand a speaker's meaning by observing their nonverbal behaviors such as a change in a vocal tone or volume, eye contact, facial expressions and gestures. As it is easy to misinterpret nonverbal behavior, effective listeners verbally confirm their interpretations of someone's nonverbal communication. A question as simple as "Do your nods indicate a yes vote?" can make sure that everyone is on the same wavelength. If, as nonverbal research indicates, more than half of a speaker's meaning is conveyed nonverbally, we are missing a lot of important information if we fail to "listen" to nonverbal behavior. Even Freud suggested that "he that has eyes to see and ears to hear may convince himself that no mortal can keep a secret. If his lips are silent, he chatters with his fingertips; betrayal oozes out of him at every pore." No wonder it is difficult for most people to conceal what they mean and feel in a face-to-face group discussion.
5번 지문(문항 번호 33번)
Imagination continues to function when perception is not actively discerning objects, in cases of emotion, disease, and sleep. Emotions dispose one to see the world in a distorted way. A coward's perceptual disposition is affected by his disposition to experience fear. A lover's expectations are affected by desire. In such cases, a small similarity between a perceived object and the thing one expects to see can lead to the misidentification of the perceived object as that thing. The coward sees the enemy, while the lover sees the object of desire everywhere. The more affected one is, the less similarity is required for the thing to appear. While the central organ of sense normally functions by comparing similarities and differences, emotions dispose one to discern objects inaccurately. The greater the emotional investment, the more biased one's perception.
6번 지문(문항 번호 34번)
The dependent and shifting nature of art values, not only on the market but inherently, is uppermost in the mind of today's art collector, whether he buys for himself or as the representative of an institution. Acquiring a work is acquiring a piece of art history, or it is acquiring nothing (beyond, that is, an object of personal enjoyment in the same class as a cat or a souvenir). In signing his check the collector asserts his belief in the future presence of the work as a significant point attained by art as a whole. History, however, is open to anything and the merit of the chosen painting or sculpture has ― at best ― only the validation of a present-day consensus. This consensus is all but certain to be displaced, as others have been in the past. In the last analysis, committing himself to a painting is the collector's own act. Through it he courageously affirms not only his aesthetic judgment, from whatever source it be derived, but the conviction that he can predict where art is going.
전자 제품의 관계로 단순 변심에 의한 반품/교환이 불가 합니다.